Staffan's shooting trophy
Let the Right One InStaffan's shooting trophy is a small pistol-shooter figure mounted on a stone base, but its significance changes sharply when Tommy takes it up during a crisis. First regarded as valuable metal and an unwanted likeness of Staffan, it becomes a makeshift weapon; afterward, the separated figure and missing base give Staffan a grim clue to the violence that has occurred. The trophy’s changing uses turn an ordinary household possession into both an instrument of survival and a material trace of the aftermath.
Identity and Material Form
The trophy is heavy enough to attract attention as an object in its own right. When Tommy examines it in the shelter, he estimates that it weighs at least two kilograms and considers whether the metal might be worth selling or melting down. Its weight and material make it seem convertible: less a commemorative prize than a reserve of useful substance that could be exchanged for money or recast.
The figure atop the base depicts a pistol shooter. Tommy studies its face and thinks it resembles Staffan, a likeness that turns the trophy from a neutral award into something personally charged. He imagines melting down everything except the little head and returning it to Staffan, a fanciful punishment whose point depends on preserving the face while stripping away the rest. The scheme is never carried out. Instead, Tommy puts the trophy back, leaving it available for a very different use.
From Keepsake to Emergency Object
Later, as Tommy hides in darkness and listens to movement outside, he feels across the stacked boxes until his hand closes around the trophy. He lifts it carefully and tests its balance. Holding the figure’s chest, he realizes that the stone base can serve as a club. The earlier estimate of its weight now has immediate practical force: what might have been salvage becomes protection.
The change is not simply from valuable object to weapon. In the shelter, Tommy could handle the trophy at leisure, imagine what might be done to it, and return it to its place. In the later scene, he cannot see clearly and does not know what is happening outside. He holds the trophy against his chest while he waits, making the object a source of physical reassurance as well as a possible means of defense. Its solid form offers a modest, tangible response to circumstances he cannot control.
When the danger approaches, Tommy uses the trophy as a club. He moves away from where he had been standing, keeps a lighter in one hand and the trophy in the other, and waits until the creature is close before striking. The stone corner hits its head, and the creature falls. In this moment, the trophy’s construction determines its function: the figure is something Tommy can grip, while the base supplies the hard striking edge. The object does not merely accompany the action; its weight and shape make Tommy’s response possible.
Staffan’s Recognition
After the confrontation, Staffan encounters the scene and cannot tell for certain whether the blood-covered person holding a stone is Tommy. His attention settles instead on a small figure near the threshold. At first it resembles a toy soldier, but Staffan recognizes the pistol shooter from his trophy. It lies with its pistol pointing upward, detached from the stone base.
The absent base makes the object legible in a new way. During the attack, the base was the part that could be used as a club; afterward, the separated figure is what remains recognizable. Staffan’s attention to the missing piece follows from knowing the trophy as a complete object. He understands that the base is gone, and the recognition becomes a clue to what has happened without requiring him to identify the person in the room with certainty.
Changing Function and Narrative Significance
The trophy passes through several possible meanings without settling into any one of them. It is a prize, a quantity of metal that might be sold or melted down, a likeness of Staffan that prompts Tommy’s private fantasy, a source of comfort while Tommy waits, and finally a weapon. Its course links two different responses to danger: Tommy first treats the object as something he can leave behind, then depends on it when danger becomes immediate.
Its final broken configuration also gives the object a role beyond the confrontation itself. Staffan’s recognition depends on a familiar thing made unfamiliar by its separation from the base. The trophy therefore carries information between the action and its aftermath: it records, through its changed state, how a commemorative possession was repurposed. What began as an emblem of Staffan’s shooting skill becomes evidence of Tommy’s desperate defense and of the cost of the encounter.

